Tag Archives: Editing

Mini-Movie Review: ‘Cloud Atlas’

A visual smorgasbord with more storyline’s than it knew what to do with, ‘Cloud Atlas’ is a beautiful film suffering from an over-ambitious script.

I managed to stay intrigued despite a just under 3 hour run time, and hardly once felt bored or uninterested. But as it neared it’s climax, I was left feeling disappointed at an unrealized merging of arcs. Like a science fiction, fantasy version of “Pulp Fiction” without any of the cohesiveness or knowledge of where or how the plot points would ultimately connect.

Many of the more interesting ideas and concepts are forgotten and left as ambiguous, which, while frustrating, seems intentional. The cinematography is stunning, and most of the acting is on the same level. The futuristic Neo-Seoul arc is immediately engaging, staying unique and leaving you wanting more of Jim Sturgess and Xun Zhou. In fact, I felt more of a chemistry and “fated” pairing between the two of them than the powerhouse combo of Tom Hanks/Halle Berry.

The editing overall is satisfactory, and a particular sequence involving a slave raising a ships mast while such events are mirrored in an alternate timeline is unforgettable and sparks a desire for more scenes crafted with such obvious vision and planning.

Surely everyone walked away having experienced (and felt) something different, and therein lies the films greatest achievement.

7.5 out of 10

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Innovating with the iPad

“Innovation distinguishes between a leader and a follower.” ~Steve Jobs

A beautiful merging of design aesthetic & technologic advancement

The world of production is an ever-changing environment.

In a constant state of flux, the period between an “industry standard” practice and a “revolutionary” one is diminishing. As in the medical field, technological innovations rapidly shift the way we work.

The incredibly useful Movie Slate App

Ethan Borden, Cinematographer & VP of Gradient, has found his workflow radically altered using the iPad:

“With the Movie Slate App, it makes us probably ten times faster in post-production. It does a shot log which I can send out with an HTML or as a Final Cut XML document, and saves time and keeps us more organized because we’re switching from paper to digital.

We also have a Wireless Monitor App which allows us to connect to a computer that has the camera plugged in. It lets us control the camera and look at what’s being seen through the lense with a live view. We’re also able to walk around wherever on set and look at what’s being shot on camera. We see whats being seen through the DSLR.

I use the iPad 2 for a lot of workflow stuff on other projects as well: websites, Facebook, uploading photos that I’ve just taken on set.”

“In Post we use it a lot for labeling footage. It’s easy to make notes on set and then have our editor be able to refer to those while he’s working. It keeps everything centralized so that there aren’t 5 pieces of paper flying around with separate notes.”

Nathanael Sams has found his workflow in Post-Production streamlined as well:

“The Slate makes all the difference because we work with separate cameras and separate audio (Zoom H4N). What can be a daunting task of syncing up video and audio is a lot more feasible and automatic when you have a slate that beeps, because the program automatically syncs it up for you. That saves hours of time of manually going in and making sure it’s synced up.”

We aren’t shy in expressing our love of Apple products, and the iPad is no exception. It has quickly become invaluable on set, off set, and within our workflow.